Printers
Surecolor Flat
SureColor Flat focuses on rigid boards, display panels and short-run pieces printed direct to substrate. South African print businesses often check board thickness, ink behaviour and handling requirements before moving work onto an Epson flatbed.
Rigid media on SureColor Flat
SureColor Flat covers Epson flatbed production for rigid media and display work. Businesses comparing board handling, application fit and workflow around direct-to-substrate printing can assess the production fit here.
Start by listing the boards you actually sell, such as Foamex, ACM, acrylic, wood and corrugated display stock. Cape Town humidity can affect adhesion and curing on some surfaces, while Highveld dust needs stricter sheet cleaning before loading. At our Gauteng and Cape Town demo sites, buyers usually compare registration, white ink use and how the table handles mixed board sizes.
Bring the print area size and a sample of the material you want to run. That helps identify access space, board staging and whether edge guides, vacuum hold or a jig will matter for repeat work. Teams also tend to keep a simple setup note near the operator station for height checks, nozzle status and board orientation.
Checks buyers usually need
Most comparisons come down to substrate range, readable sample settings and what the operator must verify before each run. A useful review covers printer mode, white layers, curing sequence and how artwork is prepared for direct-to-board output. For many sign and display shops, one reliable method for everyday panels matters more than extra options they will not use.
Use the matching workflow note when board printing steps need to be compared against production reality. Before sending anything through the contact form, note the Epson model under review, the board type, the sheet size and any issue seen on test prints. A photo of the current print setup is helpful when the question involves loading, strike risk or ink laydown.
- Board setup notes for direct print
- Head height checked before rigid loading
- Demo questions logged with media details
Site conditions that affect flatbeds
Delivery access, sheet storage and available bench space matter more with rigid media than with roll output. Older production rooms may need extra attention around dust control, board handling routes and safe placement for heavier substrates. If the Epson unit is part of current jobs, separate recurring production work from a single print fault when briefing the demo or discussion.
Coastal air can change how some boards present on the table, especially if material has not acclimatised indoors before printing. Inland sites often need more frequent wiping around sensors and loading areas because fine dust settles quickly. During load-shedding planning, operators usually schedule nozzle checks, sample reviews and maintenance around available power rather than squeezing them into active board runs.
Operated by Astros Marketing (Pty) Ltd from 2 Makro Place, Sunnyrock 1401.
What to bring to a demo
Arrive with the actual substrate, target application and artwork type if possible. The most useful conversations happen when the sample reflects real display work such as retail panels, directional signage, branded boards or short-run promotional pieces. If an earlier attempt failed, say whether the problem was adhesion, banding, chipping on cut edges or inaccurate white coverage.
Keep your notes tied to the specific board, file setup and test result shown on the day. When several people are involved in approval, it helps to record the print mode, curing approach and any finishing expected after printing. That gives the buyer a usable reference for comparing direct-to-substrate output against current outsourced work or another in-house device.
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